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Imitation of War

by Itasca

supported by
Lagoram
Lagoram thumbnail
Lagoram Of course I bought this the moment it was announced. I love Itasca and this whole album before it's even released, period. stoked for rockier sounds stoked for the wash of effects on imitation of war (I've been messing with a new acoustic amp and effects and it's all l want to hear, such perfect timing), stoked for all the good feelings that only Itasca can bring.
Caoimhín
Caoimhín thumbnail
Caoimhín This album unfolded for me like a slow-blooming flower; I started intrigued, but now I'm hooked. In case anyone needs to place this record before listening, I hear Joni Mitchell, the Weather Station, and Neil Young in the songs, but there is a creativity here that supersedes those comparisons. Easy Spirit is probably the best example of that inventiveness: a song that twists and turns, slows and speeds, but remains enthralling for all of its nine-odd minutes. Favorite track: Milk.
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  • Record/Vinyl + Digital Album

    + Deluxe LP edition features 140g black virgin vinyl and a full-color printed inner sleeve with lyrics and additional artwork

    Includes unlimited streaming of Imitation of War via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $22 USD or more 

     

  • Compact Disc (CD) + Digital Album

    + Deluxe CD edition features a gatefold jacket with replica LP artwork

    Includes unlimited streaming of Imitation of War via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $13 USD or more 

     

  • Record/Vinyl + Digital Album

    + Deluxe LP edition features 140g black virgin vinyl and a full-color printed inner sleeve with lyrics and additional artwork
    + Deluxe CD edition features a gatefold jacket with replica LP artwork

    Includes unlimited streaming of Imitation of War via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $31 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $9 USD  or more

     

1.
Milk 04:48 video
stillness in the rye field except the peaks of the grass I’m taking my break under the sun I’m laying back under the silk tree close my eyes I dream the misty castle green tower in the trees I dreamt of genevieve the myth in the mirror’s gleam and I leave her behind as the shade rolls in and my tears turn to feed the chrysalis in the tree beside hours in the day I am footsteps on the ridge I’m piling my sand remembering your face in Orion I’m on the plateau with my muse he acts the wise woman’s keys laughing in the breeze and I begin to explain friar’s lantern on the wall candle flames like headlights in the glass coming down from the furthest pass the sweet essence of the time I left hours in the day I am footsteps on the ridge I’m piling my sand remembering your face in Orion and I begin to cross the plain in its flood with my walking stick I check the depths of my grief, standing as water I must dive down
2.
chasing the next the plateau there and the rain it falls careless on the oil I’m painting and I’m crying to catch her the line that I’ve tethered here she’s fleeing the judgment in a careless rain and her muse’s crown on my head stings like a tear Was it a snare set by the devil? then I fell right in or I was a saint there on the chapel font in this Imitation of War I was outside watching the orange tree as the blossoms turned and the spear weaves the laurel and I’m crying to catch you muse in the laurel tree I will paint the flowers just chain them to me and her muse’s crown on my head stings like a tear Was it a snare set by the devil? then I fell right in or I was a saint there on the chapel font in this imitation of war
3.
just yesterday I saw you running under sheets of cobalt blue I was on my way to forgetting I was on my way home from you in the house on the river Nice trapped in an archetypal dance I extended my hand to the moment I look back at it now barely, barely, barely I was hanging on reason enough to be under fire but it’s on reason I must depend and it was darker in the evening then my words from their shelter and running round the bend and it makes me laugh and cry out and laugh again the era’s through but the story will not end
4.
Interlude 01:01
5.
moonlight’s shining in the clearing deep blue sky tears on sky mountain are drawing high try to pile them all through the needle’s eye lead the rush of the ocean’s tide by lamplight I saw smoke that was curling around my anger it was made of white snow coming from the maze’s center thought I loved a name that my angel was singing some spirit word on the dry hillside coveting my vision singing “sweet summer nights” “of wine and song” horsemen’s devil lurking but his sanctuary’s gone and you would not sing to me confession is foregone I’ll wear the stones down under my feet my own flight my pawn misguided wish for fire’s song chaos in the veil that we’re walking upon my prayer is tired but my rosary is long that’s the effigy I’ll hold til the shadow’s gone moonlight’s shining in the clearing deep blue sky tears on sky mountain are drawing high try to pile them all through the needle’s eye lead the rush of the ocean’s tide
6.
dancing woman she holds the line see her in my mind’s eye sings to my sight dancing woman I shape her face tracing the night line easy and free shape in a fever a border keeper rings on her fingers idol maker a name in the ether a face in the well’s eye fruit of child’s playin and I’m racing to try in the cup of Circe jingles the tune key to the exit where the sun’s lookin through and if the night falls stand on the line dancing woman is her face mine?
7.
El Dorado 03:34
I lay in the satin fold the sleeping spirit of the cowboy the mythic fire cold the western dream an ember in the path caught myself as a thief and I cannot believe I am playing sentinel alone picking acorns in the road I knew the road to my el dorado but I was caught looking at the weeds empty signs, but a turn of mine I was tied looking at the trees and my friend, she gives me a blessing, she believes, shows me into the house I’ve built glowing in the botanique daylight shines on her theater the western revived my remote cutoff in the sand my story lies I knew the road to my el dorado but I was caught looking at the weeds empty signs, feeding the turn of mine I was knelt down looking at the trees tell me about your feeling I see your eyes are looking dim I see you running circles counting the ways ahead sage flowers and ice show me all the ways you love fool cowboy stands rider in the sand I see your fire’s getting low
8.
Easy Spirit 09:28
set sail on the maelstrom on the unknown side darkness in the water where my tiller guides I’ve come like a child searching for the sweet its colors are alive rainbow holding me and I’m on my way to you running me back to you running me up to you easy spirit rushes through the trees easy spirit that mine could be deep and rolling as your guiding the rabbit in the eave lion in the sty homebound on a tumbling sea where my last word rides milkmaid upon the mountain and our pack beside all going to the place where easy spirit lies chorus little cabin in the distance with the smokestack burning island with the green light and the shoreline unstirring back to you back to you easy spirit rushes through the trees easy spirit that mine could be deep and rolling as your guiding sea...
9.
piper draws the overture in a caroling song the voice that calls me from the wings, sings his melody like the apple tree that hangs on the curtains rise, I sing my song myth changes to an actor’s call the bell rings, the curtains fall and storyless I’m off to walk with the crowd feet on the branches of his grove and night’s coming on stand there beside do I love you lead me light there in the wings pick me up when I’m fallen when I’m lost out in the rain he is here and the light is strong I’ll walk within the face that draws my line along the melody
10.
Olympia 01:24
and my steps are wont to start anew I die inside my will in joy tears downriver I’m on my way back to that gentle field I’m seeding I dig my claim into the earth in this time I did not know would come but how does it feel? olympia, she stands at the shore in my cradle you lay the verdant age the key’s in the door

about

Album page: paradiseofbachelors.com/shop/pob-073
Artist page: paradiseofbachelors.com/itasca
Other options: lnk.to/PoB73

ALBUM ABSTRACT

On Imitation of War, songwriter and guitarist Kayla Cohen advances Itasca into rockier terrain, with a suite of smoky nocturnes and uneasy idylls surveying, with refreshing urgency, mythologies and psychologies both classical and personal. Co-produced by Robbie Cody (Wand, Behavior), these ten sturdy set-pieces represent the loosest, leanest, and most smolderingly electric guitar-forward recordings of Cohen’s deepening catalog.

ALBUM NARRATIVE

Was it a snare set by the devil?
then I fell right in
or I was a saint
there on the chapel font
in this Imitation of War

The first Itasca record in over four years begins, in “Milk,” with a dream of Genevieve, “the myth in the mirror’s gleam”—perhaps, on this faith-haunted album, a reference to the fifth-century saint, or the chaste, cave-dwelling heroine of medieval legend. It ends with Olympia, standing at the shore—maybe, among these myth-haunted songs, a reference to the ancient Greek sacred site, or, considering the artist narrator of the title track, to Édouard Manet’s revolutionary 1863 painting of a defiant sex worker. Across its suite of smoky nocturnes, Imitation of War finds Los Angeles-based songwriter, singer, and guitarist Kayla Cohen continually embracing the tangled ambiguities of its evocative title, with its suggestions of artfulness, artifice, and antagonism alike.

Aptly, the song “Imitation of War” maps the range of the eponymous record’s domain, in which Cohen surveys, with refreshing urgency and a refined sonic palette, mythologies and psychologies both classical and deeply personal. Her characteristically ethereal vocals precipitate, among orange and laurel trees, upon rockier terrain than ever before, negotiating a “muse’s crown” and “a snare set by the devil.” The uneasy idyll, set to a brisker tempo and more spirited and spacious band-centered arrangement than most anything on Spring (2019) or Open to Chance (2016), her prior two albums with Paradise of Bachelors, captures the flexibility and finesse Cohen wrings from reduction. Distilled to an oceanic essence of guitars, bass, drums, and vocals, Imitation of War is simultaneously (and somewhat counterintuitively) her loosest, leanest, and most liberatingly unclad album and her most theatrical set of songs and performances to date. “Molière’s Reprise,” named for the seventeenth-century French playwright, sets the mise en scene:

like the apple tree that hangs on
the curtains rise, I sing my song
myth changes to an actor’s call
the bell rings, the curtains fall

and storyless I’m off

This kind of allegorical theatricality manifests not only in the redolent, if sometimes cryptically allusive (and intentionally Jungian), symbolism and subject matter—which includes El Dorado, Circe, and Orion in addition to the aforementioned cast of muses, saints, and devils, at play in night and nature—but likewise in the immediacy of its inky, glammy production. Cohen began writing several of these songs, notably “Tears on Sky Mountain,” in the fall of 2020, while she was recording with Gun Outfit (with whom she plays bass) in Pine Flat, California, near Sequoia National Forest. A nearby forest fire darkened the day into an eerie, eternal gloaming, ominously masking and unmasking the moon above the redwoods—a menace and color palette that shaded the resulting songs.

Engineered and co-produced by Robbie Cody of the bands Wand and Behavior, whom Cohen credits with helping to instill a newfound levity and sense of fun in the recording process, Imitation of War features both Cody’s bandmates Evan Backer and Evan Burrows and Cohen’s regular collaborator and bandmate Daniel Swire, also of Gun Outfit. Cody proved instrumental in shaping the elemental, guitar-centric arrangements to achieve what he refers to as “an economy of sounds.”

Cohen played all the guitar parts herself, largely on her 1971 Gibson SG-100—the acoustic instrumental sketch “Interlude,” the ballad “Dancing Woman,” and the portrait in miniature “Olympia” are exquisite exceptions—showcasing her deft command of the instrument. Nowhere is this confidence and lyricism more evident than on the record’s sublime nine-and-a-half-minute centerpiece “Easy Spirit,” the incendiary, downshifting dynamics and painterly solos of which radically expand her prior folk-inflected guitarist touchstones—Michael Chapman, Mike Cooper, Meg Baird—into the rarefied rock-and-roll strata inhabited by Jerry Garcia, Phil Lynott, and Tom Verlaine. These ten sturdy set-pieces represent the most smolderingly electric guitar-forward recordings of Itasca’s deepening catalog.

Cohen explains the titular simulation as the “performance of war postures” evident at every scale of human and animal life. But it could just as easily apply to the revelation that, with Imitation of War, Itasca has finally come to inhabit fully the staged postures toward which former records gestured. She sounds more herself, more confidently authorial than the longing protagonist of her earlier work. No imitation, formal or emotional, of former self or imagined other, remains. It’s a self-knowing sentiment implied in the lyrics of “El Dorado”:

I knew the road to my El Dorado
but I was caught looking at the weeds

Instead, now, as she reflects a couple verses later, her eyes are out of the weeds and on her characters, where “daylight shines on her theater.” Or as she sings at the close of the pastoral “Under Gates of Cobalt Blue”:

and it makes me laugh
and cry out and laugh again
the era’s through
but the story will not end

KEY POINTS

+ Co-produced by Robbie Cody (Wand, Behavior), these ten sturdy set-pieces represent the loosest, leanest, and most smolderingly electric guitar-forward recordings of songwriter Kayla Cohen’s deepening catalog.

+ Deluxe LP edition features 140g black virgin vinyl and a full-color printed inner sleeve with lyrics and additional artwork
+ Deluxe CD edition features a gatefold jacket with replica LP artwork
+ RIYL: Michael Chapman, Bridget St John, Mike Cooper, Steve Gunn, Gun Outfit, Wand, Ryley Walker, Aldous Harding, Weyes Blood, Meg Baird, Myriam Gendron, Jessica Pratt, Linda Perhacs, Sibylle Baier, Bert Jansch, Vashti Bunyan, Gram Parsons with Emmylou Harris, Moby Grape, Chris Darrow, The Farm Band, Mary Margaret O’Hara, Thin Lizzy, the Dead, Television
+ Album page/details/acknowledgments: paradiseofbachelors.com/shop/pob-073
+ Artist page/bio/tour dates/links/back catalog: paradiseofbachelors.com/itasca
+ Smart link: lnk.to/PoB73

credits

released February 9, 2024

Guitar and vocal: Kayla Cohen
Bass: Evan Backer
Drums: Daniel Swire and Evan Burrows

Engineered and mixed by Robbie Cody
Mastered by Sarah Register

Cover photo by Tessa Binder
Back cover photo by Blake Brent

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about

Itasca Los Angeles, California

itasca (veritas-caput) a latin / ojibwe portmanteau place name meaning "truth-head" or "true source"

music by kayla cohen, and robbie cody, evan backer, evan burrows, daniel swire

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